When an ad is as good as it’s always been
Monday, January 12th, 2009 by Jon Clements
A little piece of advertising history has passed with the death of Geoff Seymour, the creative who gave us the iconic Hovis ad in the 1970s.
He came to prominence with his work at Collett Dickenson Pearce, later with Lowe Howard-Spink and at Saatchi & Saatchi in the 80s where he was involved with the British Airways account.
But what was it about Seymour and his approach to the Hovis “boy on bike” that would place it repeatedly in lists of the top UK ads of all time?
Mick Foden, Executive Creative Director at creative agency and Staniforth sister company, TBWA\ Manchester, says: “The Hovis ad had all the elements of a truly great ad: it was a throw-back to traditional values that the target audience of mums would remember and was true to the brand - a lovely, wholesome family favourite.
“It was beautifully shot - using the skills of future film director, Ridley Scott - and had an idea that was strong enough to sustain it for years. With the music, taken from Dvorak’s New World Symphony, and the voice-over it generated a joy and celebration about the brand.
“Geoff had a passion for the way things were written, while telling the truth and keeping it simple. The work changed the way people looked at ads, combining a big idea with real humility.”


